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                <text>Remember Their Names Name Booklet</text>
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                <text>Featuring the names that accompany each quilt square for the AIDS quilt. The 40 pages of names are organized alphabetically and additionally feature the location of their quilt square, in the larger AIDS quilt. These booklet obtains to the Washington, D.C. display of the AIDS quilt October 8-9, 1988 and included in The NAMES Project hand out folder, featuring other information about the physical quilt, its history of creation and display. This list, in the nature of the AIDS quilt, is not a complete list as the quilt will be continued to added to thought time, this specific booklet obtaining to its Washington D.C.  '88 display. </text>
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                <text>Encoding? Quilts as signs, symbols</text>
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                <text>Typed notes of Eliane Hedges thoughts on quilts possessing practices of encoding though signs and symbols. Discussing Susan Roach work on kinship Quilts and quilting bees, and its discussion of patchwork quilts carrying of messages though films of encoding. </text>
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                <text>Quilt Project Petition: "Petition 2.0" &#13;
Showing Support for Codifying Roe v Wade in the State of Rhode Island &#13;
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                <text>The Quilt Project Petition: "Petition 2.0"; Showing Support for Codifying &lt;em&gt;Roe v Wade&lt;/em&gt; in the State of Rhode Island details the quiltining project organized by 'The Woman Project' (now Womxn Project) to legaly codyfy the right to abortion within Rhode Island. The overtunining of &lt;em&gt;Roe v. Wade&lt;/em&gt; would revert state law back to it state predating the 1973 rulling, making abortion Ilegal within Rhode Island. The handout deatils the phases of the project, its imprtance and purpose/ intentions, in addion to the making of quilt sqares and other ways to help the issue. &lt;br /&gt;Also included is rough draft project scetch of the quilt petition organization.</text>
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                <text>July 24, 2017</text>
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                <text>A Note to Our Friends in the Media </text>
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                <text>The NAMES Project, AIDS, Media, Language Power</text>
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                <text>Letter to "Professionals in the media" from The NAMES Project about the power of language specifically attaining to the AIDS epidemic.  The document advocates for language that communicates the realities of AIDS to the public in a way that is accurate, objective, non-judgemental, and even as hopeful as possible. &#13;
This document was written and distributed for the Washington, D.C. display of the AIDS quilt October 8-9, 1988 and included in The NAMES Project hand out folder, featuring other information about the physical quilt, its history of creation and display.</text>
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                <text>Hand out sheet written for Washington, D.C. display of the AIDS quilt October 8-9, 1988, included in The NAMES Project hand out folder, featuring other information about the physical quilt, its history of creation and display, in addition to the mentioned Washington display. &#13;
Features facts of note including; weight; number of panels; total seams; states and countries represented; name appearing most often; panels for brothers; panels for parents and their children; celebrities; unusual panels; materials used; etc.. &#13;
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                <text>NAMES Project Background Information </text>
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                <text>The Names Project, AIDS Memorial, Cleve Jones, Mike Smith, </text>
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                <text>Background information of the NAMES Project and the physical AIDs quilt itself. &#13;
Background information #1 explains the quilt,  its history and reception in addition to the initial goals of the project: "To illustrate the impact of the AIDS epidemic by showing the humanity behind the statistics"; "To provide a positive and creative means of expression for those whose lives have been touched by epidemic"; "and To raise vital funds and encourage support for people with AIDS and their loved ones." &#13;
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&#13;
Background Information #2 details the biographies of Cleve Jones and Mike Smith, the organizers of The NAMES Project Foundation. Each short biography details their biographies including their AIDS related work, as well as their meeting and collaboration. </text>
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                <text>The NAMES Project Foundation </text>
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                <text>Post card  to Elaine Hedges featuring the quilt WHIGS defeat on the back. The quilt featured a secret poem quilted into the fabric. Hedges notes the encoded nature that this quilt possesses underlining the decryption and inscribing coding on the back.</text>
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                <text>AIDS Quilt</text>
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                <text>To A Friends House </text>
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                <text>Quilts, Comunity Quilts, Encoded, Folk Art</text>
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                <text>The article follows the Gourmet Quilters, A quilters group of 15 women based in Orange County, California. The groups meet for four-hour quilting sessions, including a potluck luncheon, giving them their name. The article features interviews from the women, describing the community that they have found from quilting together. Working together on a quilt, they all face each other, sharing their “triumphs and their problems”, creating an environment of caring and collaboration. The reinforcement of identity, creation of community and the relationships between these women are argued to be represented within the physical quilts that they make, as they mark transition points for both themselves and their loved ones, these connections and relationships encoded within the physical quilt itself. </text>
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                <text>Elenore Wiesel </text>
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                <text>Elaine Hedges Papers </text>
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                <text>John Hay Library </text>
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                <text>Elaine Hedges</text>
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        <name>Community Quilt</name>
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                <text>Feminist Messages: Coding in Women's Folk Culture </text>
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                <text>Investigation of coding within folk art and folk culture, and women's role in these coded forms of cultural production. Radar investigates and questions the appropriation and inverting of symbols of feminine domesticity and property, looking at quilts and other forms of folk art.</text>
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                <text>Joan Newlon Radar </text>
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                <text>An explanation and investigation of the ‘secret language’ of needle work, prescribing and defining methods of encoding, hidden messages and information conveyed through textile arts and craft work. Explaining the importance of cultural knowledge within the creation and readinding of these coded messages and themes, Hedges notes the often gendered separation of cultural knowledge, describing different readings of created material culture. The article demonstrates the ability for a quilt to hold encoded information, and the significance of cultural knowledge within the creation and examination of a Quilt.</text>
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                <text>Elaine Hedges </text>
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            <description>An account of the resource</description>
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                <text>A selection of the thousands of letters that have been received by the organization from those who have made Quilt panels in memory of friends and loved ones. The collective, comunal and collaborative nature of this quilt project is reflected within these letters. As with the NAMES project, the existence of this material, its collection and archiving, is in itself a form of protest. These letters stand prove for the love and care of the individuals that each quilt square represents, that they were not only here, but also loved and will be remembered. This collection harkens both to the communal and collective nature of quilts, continuing a history of their resistance in their archival. &#13;
Letter to "Professionals in the media" from The NAMES Project about the power of language specifically attaining to the AIDS epidemic.  The document advocates for language that communicates the realities of AIDS to the public in a way that is accurate, objective, non-judgemental, and even as hopeful as possible. &#13;
This document was written and distributed for the Washington, D.C. display of the AIDS quilt October 8-9, 1988 and included in The NAMES Project hand out folder, featuring other information about the physical quilt, its history of creation and display.</text>
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                <text>The NAMES Project</text>
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                <text>Cathrine Gund Papers </text>
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                <text>Christine Dunlarp Farnham Archive</text>
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                <text>Cathrine Gund</text>
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                <text>October 8-9, 1988</text>
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        <name>Love</name>
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        <name>Memory Quilt</name>
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        <name>Quilt</name>
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        <name>Quilting</name>
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                <text>Comments from the Quilt</text>
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                <text>Quilting, Memory </text>
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                <text>This article details the multi- properties of a quilt contained within its materiality that exist beyond its purpose as bed linens. These themes are discussed within a Framework of a formal art vocabulary, detailing both historical and contemporary implications and larger these surpassing quilting. Addressing themes of loss, encoding, marks of passage, oral histories, protest, separation and heritage though generational skill teaching. </text>
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                <text>Sander Fox</text>
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